Dana had been counseling a psych ward patient and violent ex-con named Jim who had been hospitalized after a suicide attempt.
newsletter I wanted to honor her at a lovely celebration of life with all her favorite people on a sunny SoCal patio. From left, playwright Lucas Hnath and Dana Higginbotham during the party for the world premiere of “Dana H.” O’Connell animates the voice recounting her ordeal—and it is quite an ordeal---giving every sentence inflection the proper gesture, expression or perhaps even just a muscle tightening in response to the harrowing detail being shared. Years later, she spoke about her … The show is extremely lucky to have McDermoth’s singing. )An uncredited actor playing a maid tidies the room (that is really, many rooms) in this interlude before O’Connell returns to the stage to complete her act of theatrical virtuosity—and nothing that is missing from Higginbotham’s account diminishes that virtuosity. Many of the hands-on therapies and services that special needs students received before campuses shut down can’t be adequately delivered via distance learning.
Playwright Lucas Hnath shapes the real-life narrative as told in the actual voice of its victim, his mother.Lucas Hnath is undoubtedly not the first playwright to have his mother suggest he write a play about her. The near daily hang-outs dropped off, and the texts and phone calls plummeted — without any obvious cause. Rather than having an actor speak his mother’s words — which could give a theatrical audience too much distance from their real-life speaker and the inherent contradictions of her testimony — Hnath recut the audio of Cosson’s interviews with Dana into a soundtrack, to which actor Deirdre O’Connell lip-syncs, alone onstage.The effect is disorienting, but in a way not quite like anything I’ve seen before. It’s a different way of thinking. Knight (“Grey’s Anatomy”), Ryder Bach (“Frontier Guard”), Mia Barron (“Law & Order True Crime”) and Larry Powell (“Mother’s Milk”).In a private conversation during the reception, O’Connell said she’d only just met the real Dana H. the previous night when Hnath’s mother came to see the performance. “Dana H.” was “developed” from interviews conducted with Hnath’s mother, Dana Higginbotham, a hospital chaplain who was kidnapped and held hostage in the 1990s by an ex-convict patient. In response, Hnath—multi-award-winning playwright of productions including Seventy-five minutes long, and directed by Les Waters, it stars a transfixingly good Deirdre O’Connell as his mother, Dana Higginbotham. O’Connell remembered with perfect matter-of-factness her desire, years ago, “to be a tough enough broad to work late in the bar and walk home with my tips and not get killed.”“I felt like my toughness and my freedom were very connected to each other,” she said, “and I feel like this play is a lot about that. She is then taken against her will on a journey through motels throughout Florida and endures physical abuse and threats of further violence until she is finally able to escape.Hnath is the award-winning playwright of “A Doll’s House Part 2,” “The Christians” and Celebrating the play were actors Laura Innes (“ER”), Elvy Yost (“Mildred Pierce”), T.R. We follow the stories and update you as they develop.Chicago Police Supt. But you do. View the profiles of people named Dana Higginbotham. Sign up for the … The Chicago Department of Transportation said they were being lowered again as of 7:15 a.m.Man wounded in shootout with Chicago police in EnglewoodA man who was shot by police was taken to the University of Chicago Medical Center, Chicago fire officials said.
But it’s unclear whether he has the power to do so.Scientists searching for a medicine to treat patients with COVID-19 are looking for it in the blood of people who have already survived the disease.COVID-19 put a pause on Meow Wolf’s most ambitious, risk-taking and topical endeavor yet: the grocery store-inspired Omega Mart, planned for Las Vegas.Looking at the numbers can give parents a sense of how the county is doing in containing the coronavirus and help them make a difficult decision. But this is much more my really having to surrender to her interpretation of the story, and I felt like there was a sort of purifying fire inherent in that problem, in having to lip-sync her.”Hnath, whose oeuvre hopscotches from one form to another, was in graduate school at N.Y.U. Knowing that this is a true story “makes the world a darker place,” she said.And, in O’Connell’s view, the play taps into a lot about the moment we’re living through, and the way that women in general — and second-wave feminists like her in particular — are lately looking at the world with fresh eyes.Higginbotham, whom she met at opening night of “Dana H.” in Los Angeles, is “a tough cookie, and she’s very smart,” O’Connell said.They have that in common. Audiences hear Higginbotham describe her experience in her own voice, in her own emotional register.And O’Connell, the Obie Award winner embodying her, lip-syncs every word as Higginbotham recalls being yanked out of her ordinary life into a terrifying subculture where she discovered that help was out of reach.Now in previews Off Broadway at the Vineyard, where it is directed by Les Waters, “Dana H.” arrives at an interesting moment for stories of violence against women, with society re-evaluating its own metric for what constitutes a persuasive witness.Reviewing the show in the Los Angeles Times, Charles McNulty deemed it “Hnath, well aware of what he called the “circular and wobbly shape of memory,” said it was vital that the play “match the reality of somebody recounting something really, really horrific that happened to them.”Unspooling recollections of her captor — a man raised in the Aryan Brotherhood, whom she had counseled in the hospital where he was a psychiatric patient — Higginbotham offers no florid displays of feeling as evidence of having suffered.The striking calm of her tone on the recordings came as no surprise to Hnath, 40, who was an undergraduate at New York University at the time of her abduction, and who stipulated, before the interview for this story, that he would not fill in any biographical details or discuss the events of the play.The matter-of-fact way that his mother speaks of that episode in her life is the same way he is forever asking actors in rehearsal to deliver lines that might otherwise seem to call for screaming or crying.
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