She often opened her stage show singing "Moonshine Blues" inside the cabinet of an over-sized victrola, from which she emerged to greet a near-frantic audience.
05 October 2019. Known as the "Mother of the Blues," she enjoyed mass popularity during the blues craze of the 1920s.
"© 2020 Biography and the Biography logo are registered trademarks of A&E Television Networks, LLC. . This article was most recently revised and updated by Styled as the "Mother of the Blues," Gertrude Pridgett Rainey, better known as "Ma" Rainey, was one of the most important of the early blues singers. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Ma Rainey was born Gertrude Pridgett in Columbus, Georgia, on April 26, 1886, to minstrel troupers-Thomas Pridgett, Sr. and Ella Allen-Pridgett. Though they sang together for only a short time, they were two of the most important figures in the development of what later came to be called classical blues, a musical style widely popularized by Bessie Smith, who came to be known as the "Empress of the Blues. In 1912 the young Bessie Smith joined her troupe in Chattanooga, Tennessee. Rainey's music has served as inspiration for such poets as American blues singer Ma Rainey was born Gertrude Pridgett on April 26, 1886, in Columbus, Georgia, to minstrel troupers Thomas Pridgett, Sr. and Ella Allen-Pridgett. "Though the TOBA and vaudeville circuits had gone into decline by the early 1930s, Rainey still performed, often resorting to playing tent shows.
"Her ability to capture the mood and essence of black rural southern life of the 1920s," noted Daphane Harrison in While performing with the Moses Stokes troupe in 1912, the Raineys were introduced to the show's newly recruited dancer, Bessie Smith. In the liner notes to Unlike many other blues musicians, Rainey earned a reputation as a professional on stage and in business.
In an era when women were the marquee names in blues, Rainey was once the most celebrated of all; the "Mother of the Blues" had been singing the music for more than 20 years before she made her recording debut (Paramount, 1923).
Ma Rainey, née Gertrude Pridgett, (born April 26, 1886, Columbus, Georgia, U.S.—died December 22, 1939, Columbus), American singer who was known as the “mother of the blues ” and who was recognized as the first great professional blues vocalist. Her early discs—Changing urban musical tastes began diminishing her appeal, and in 1928 Paramount dropped her, claiming that her "down-home material has gone out of fashion." In 1927, Rainey cut sides such as "Black Cat, Hoot Owl Blues" with the Tub Jug Washboard Band. She often opened her stage show singing "Moonshine Blues" inside the cabinet of an over-sized victrola, from which she emerged to greet a near-frantic audience. She built a successful recording career on her live shows’ success, and finally devoted herself to charity and church work when the early blues era had passed. Fellow blues singer, Victoria Spivey, later said of the recording, as quoted in In August 1924, Rainey-along with the twelve string guitar of Miles Pruitt and an unknown second guitar accompanist-recorded the eight bar blues number "Shave 'Em Dry." According to Mayo Williams, as quoted in the liner notes to August Wilson's 1988 play With the success of her early recordings, Rainey took part in a Paramount promotional tour that featured a newly assembled back-up band. "In December 1923 Rainey began a five-year association with Paramount, becoming one of the first women to record the blues professionally, eventually producing more than 100 recordings of her own compositions with some of the finest musicians of the day.
Copyright 2010 The Gale Group, Inc. All rights reserved.Looking Up at Down: The Emergence of Blues Culture,The Rise of Gospel Blues: The Music of Thomas Dorsey in the Urban Church.Black Culture and Black Consciousness:Afro-American Thought From Slavery to Freedom,
1886-1939 Ma Rainey was the first known minstrel and variety performer to incorporate the “country blues” style in her singing, fueling an explosion in the genre’s popularity. For the next several years, she devoted her time to the ownership of two entertainment venues-the Lyric Theater and the Airdome-as well as activities in the Friendship Baptist Church. In the book, Davis asserts that Rainey’s 1928 song, “Prove It On Me,” is a “ cultural precursor to the lesbian cultural movement of the 1970s.” Web.
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