It's definitely the legitimate heir to the P5 in many respects and it excels at present leads, punchy/deep basses, nicely defined yet warm evolving pads/ atmospheres, sync leads, synth brass/ comping patches and huge unison solo sounds. © Let’s just say it does a lot more. Most of you will know that before Dave Smith Instruments, there was Sequential Circuits which produced classic analogues such as the Prophet-5, T8 and Pro 1 (among others).In 1987, Sequential was sold to Yamaha and no more Sequential branded products were made and, up until a few months back, Yamaha still owned the Sequential name.
Hence, we now have a Sequential badged Prophet-6.The P6 is a sturdy instrument weighing in at 20lbs, although it's surprisingly compact due to its shorter four-octave keyboard. There's also a digital white noise source too.Sonically, the P6 is to our ears the most authentically vintage-sounding DSI polysynth to date and it sounds nicely different to the P08, Pro 2 and P12 - it has a very wide sweet spot and it's pretty hard to get it to sound bad! These include a multi-tap stereo delay that is syncable to the clock, the LFOs, and the sequencer, a modelled distortion, a high-pass filter, tuned feedback, and “bit crushing.” "To say we were a little excited about trying the P6 is something of an understatement; in fact it had us drooling in anticipation!"
But then, the other Prophet models weren’t a Prophet-5, either. We hope the bank and 'tens' buttons become operational as patch up/down buttons (they are already labelled as 'increment/ decrement') which will speed up patch selection greatly.At the top left is the P5's famous 'polymod' section which has now been augmented to address the additional high-pass filter (the P5 had just a low-pass) plus there's an additional dial labelled 'shape' which modulates the waveshape of Oscillator 1 for adding movement to sounds. And so, apparently, do the thousands of happy people who have bought those synths. But it’s not simply a reissue of a classic. This is very much a 'use your ears not your eyes' board and we really welcome the lack of visual distractions which keeps you focused on the sound.However, the basic three-digit LED display means there's no patch naming and you have to remember your sound by number (much like a Nord Lead 4), though an editor is available from SoundTower for a modest outlay which will help you organise, name and dissect patches.Finally, 'live panel' mode is accessed by turning off the 'preset' button. We dare say if you'd surveyed synth heads a few years back asking what synth they'd most like DSI to make, it would be a unanimous shout of 'a new Prophet-5 with VCOs'.Well, fast forward to 2015 (some 37 years after the Prophet-5 launched) and we now have the Prophet-5's spiritual successor - the Prophet-6.To say we were a little excited about trying the P6 is something of an understatement; in fact it had us drooling in anticipation! Also, with the triangle sub-oscillator dialled in, you can really feel the extended lows. Food for thought!Feel-wise, the semi-weighted synth-action keyboard is massively playable and buttery - it's perfectly balanced for playing fast and accurately.
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These all feel sturdy and should stand up to long-term abuse on and off stage. But then, the other Prophet models weren’t a Prophet-5, either.
One great thing is that the voice cards in the P6 are all in separate sockets and can be removed easily down the line for replacement/service if necessary - a clever move by DSI which should help ensure the future longevity of the instrument.The top panel is laid out clearly in a P5-style with the graphics silkscreened directly onto the panel and the switches are a mixture of later-style DSI push buttons and P5-type selectors with LEDs. With real analog oscillators, famed Curtis low-pass filters, and analog VCAs, the Prophet ’08 is capable of reproducing the familiar sounds of its legendary predecessors.
We’ve been making synths with DCOs since 2001 and we think they sound darn good. The Prophet ’08’s keyboard is a semi-weighted, synthesizer action keyboard with aftertouch.
For soloing and most two-handed duties, four octaves is fine and we've never had an issue soloing on our Moog Voyager which is only three and a half octaves.
But modern features like a greatly expanded modulation matrix and additional modulation sources—such as three envelopes and four LFOs per voice—take it way beyond vintage gear and make it a worthy and unique addition to the Prophet family tree.Features include a gated 16 x 4 step sequencer, arpeggiator, split or stacked key modes with separate stereo outputs per layer, and rack ears for optional rack-mounting. However, this changed when Dave's friend Ikutaro Kakehashi (founder of Roland) suggested to Yamaha president Takuya Nakata that Yamaha give back the Sequential name to Dave - Mr Nakata agreed! Each Prophet ’08 program consists of two layers and each layer can contain what is essentially a different patch. Bath There seems to be some lingering distaste for DCOs based solely upon the spotty reputations of DCO-based synths from days of yore. Please refresh the page and try again.MusicRadar is part of Future plc, an international media group and leading digital publisher. England and Wales company registration number 2008885. The four-octave design keeps the footprint small which is useful for smaller spaces and makes the P6 easy to transport.
You will receive a verification email shortly.There was a problem. With such stable VCOs onboard Dave has included his famous 'slop' parameter which induces natural sounding oscillator drift - just a small amount can really liven up proceedings and add extra movement and vintage-style detuning to the P6's otherwise stable sound.We think this is a good compromise and we'd rather have super-stable (albeit still vibey) VCOs and be able to dial in any desired level of drift with 'slop', than have completely unstable VCOs that are a headache (like our Memorymoog for instance!).
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