The speaker moves on to more positive and optimistic observations which includes comic books of color - the reader doesn't get to know the exact color - suggesting a family life with at least a bit of fun in it. The eye travels next to a taboret and adjacent begonia. Elizabeth Bishop's Poem "Filling Station" In poetry many elements are used to bring life to a literary work. She's practically Sherlockian in...Surprise, surprise, this one's set in a filling (read: gas) station. The lines of this stanza have settled from exclamation into clear-eyed declaratives, statements of observation.Stanza three begins with a question: “Do they live in the station?” In these lines, the presence of domestic features—a porch with its wicker furniture and lazy dog—suggests the possibility. She was above all a humanist questing for an identity.Yes, Elizabeth Bishop's Filling Station,first published in her book Questions of Travel in 1965, has her typical shorter lines, all part of her poetic attempts to secure the tiniest details of observed life.Picture the poet arriving at some out of the way filling station. Even after her death, critics continued to dismiss the force of Bishop’s intellectual depth. But who is this somebody? As a parent loves a child? On the other hand, Bromwich did do what the poet Mary Kinzie called for: he did take Bishop’s story more seriously than most. Father wears a dirty oil-soaked monkey suit that cuts him under the arms, and several quick Thus the word “filling” in the title comes to stand for much more than filling the gas tank up at the pump. Just as the speaker of the poem both trembles and takes solace at evidence of Bishop’s organizing presence outside the poem, so, too, does Bishop tremble and take solace in the presence of something beyond the boundaries of her perceptions. E., “The Harried Life of Elizabeth Bishop,” in Not only are all of Bishop’s published poems reprinted in this collection, but also her uncollected work and translations of Portuguese, French, and Spanish poets. According to Bishop, the typical social roles of men and women in the In this stanza, Bishop returns to her light humor, too.
A. cheerful and gay B. melancholic yet hopeful C. exciting and thrilling D. dreary and ghostly However, unlike her attitude toward the human residents, the speaker’s attitude toward the dog carries a slight feeling of affection.
It must be a home, she decides, for if it is just another male workplace then:In other words, the details seem to be convincing but they do not finally convince Bishop. And finally, “Why, oh why, the doily?” exclaims the voice, as though such decor merits the question twice. For in the poem itself Bishop is the one who fills up the site. Through her description, Bishop transforms the mundane experience of stopping for gas into one that evokes the simple and yet profound comfort of home found in an unexpected place. As one can see in “Filling Station,” she was more inclined to focus on the details of ordinary life. But here, too, disgust and horror are not the right tone. It's grimy and shiny-black and she remarks to her fellow passenger (who might want to light up a cigarette) that the whole lot would go up instantly in flames if someone lit a random match.Progressing onto the people who run and possibly own the station, the speaker surveys father and sons with a hawk eye, noting the dirty, too short monkey suit of the father, the greasiness of the sons, who are The first question appears, related to the family and the dirt no doubt. CRITICISM It “cuts him under the arms,” suggesting both that Father is large, and may be too poor to afford work clothes that fit him well. With an open heart the poet chooses love.“Filling Station,” like so many of the poems of Elizabeth Bishop, creeps up on readers. And no, the setting does not shift at all during the course of the poem. The speaker tells herself, tries to convince herself, rather, that things are not random or haphazard, that there is order, beneficent order, in the world. INTRODUCTION
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