. Copyright © 1993 by Oxford UPClicking a result will bring you directly to the content. Clicking a result will bring you directly to the content. We can read it with a sarcastic accent on somebody, as if to admit wryly that maybe somebody is fool enough to love even this oil-soaked father and his greasy sons.… Indeed, Bishop’s work is preoccupied with motherhood, sometimes in the most unlikely places.
It gains something distinctive in that way, but loses much as well. The questions and answers repeat and revise the dominant pattern of sounds found in the poem. Poets.org Donate Donate. black translucency.
The female figure is absent from this public space.Besides this filling station, there is somebody working in the porch. The soft utterances of the oil cans (pouring oil on the world's troubled waters) gently mock and soothe the high-strung automobiles that so cruelly embody the idea of cultural and social progress, a progress that has soiled this microcosm without entirely civilizing it.from Elizabeth Bishop: The Restraints of Language. In "Filling Station," Bishop exploits this process whereby words of similar sounds but different meanings trigger metaphysical speculation. —this little filling station, She arranges the cans, waters the plant, decorates home, and puts everything in order. The station itself appears to be a resting place for men and dogs: the wicker furniture ("crushed and grease- / impregnated" and with a "dirty dog") offers that residential look. Perhaps because of the orchestrating falsetto voice, the poem depends upon noting the absence of an actual feminine presence. She is always there to love all, even if she has to lose her identity.Copyright © www.bachelorandmaster.com All Rights Reserved The poem’s final observation, "Somebody loves us all," may be sardonic (‘Only a mother …") but "somebody" might, in a broader sense, imply a divine perspective in which the filth and the ornament are reconciled. Five stanzas later, the narrator comes to an understanding about love and potentially about God. Filling Station provides many possibilities of different interpretation due to its play with sound and language. The Modern American Poetry Site is a comprehensive learning environment and scholarly forum for the study of modern and contemporary American poetry. To underscore the masculine disarray, Bishop compresses judgment with depiction: "it's a family filling station, / all quite thoroughly dirty." Bishop had to delineate the oily surroundings before she could populate the station with presences that derive their identity in part from the obscuring power of the dirt and grease. This is a small, family owned gas station that puts the gas in the tank for the driver. Father wears a dirty, oil-soaked monkey suit that cuts him under the arms, and several quick and saucy and greasy sons assist him (it's a family filling station), all quite thoroughly dirty. But this final assertion does not really answer the questions raised in the penultimate stanza: "Why the extraneous plant? MAPS welcomes submissions of original essays and teaching materials related to MAPS poets and the Anthology of Modern American Poetry. A rhetorical cascade of questions suggests the extent of the narrator's tentatively withheld knowledge: Why the extraneous plant? We are also happy to take questions and suggestions for future materials. Surely there can be no sense of intellectual presence, or for that matter, even craft.
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Oh, but it is dirty! The sharp and clicking sound of (k) in the words ‘comfy’, ‘crochet’, ‘comic’, ‘color’ and ‘cans’ produce cacophonic impression, but as the meaning of words are related to a kind of comfortable environment, the poet wants to say that despite the unfavorable and undesirable condition of the society, there is love, peace, comfort and kindness in the family. / Why, oh why, the doily?" It flows like oil throughout the poem similarly as the male members dominate the public sphere of the setting of the poem. Why, oh why, the doily? In these poems, she actually interrogates the negative attitudes toward Others that her whiteness imposes upon her and affords her. The first stanza encounters this diminutive, dirty filling station with a tone of amused disgust. Whenever I want to experience the life force that poetry can provide, I often turn to the poems of Elizabeth Bishop. Be careful with that match! The poet has begun to entertain this point of view. For no poet knows for sure where the next poem will come from, or whether it will come at all. "Filling Station" situates a "disturbing" blackness in the beginning stanza of the poem:Oh, but it is dirty! Filling Station by Elizabeth Bishop: Summary and Analysis Filling Station by Elizabeth Bishop, an American writer, who won the Pulitzer Prize for poetry in 1956 published this poem in her third volume, Questions of Travel.
In these poems, she actually interrogates the negative attitudes toward Others that her whiteness imposes upon her and affords her.
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